Stéphane Guétin
Introducción
Since prehistoric times healers have used music in the adjuvant treatment of patients. [1]Marwick C., Music therapists chime in with data on medical results, JAMA 2000, 283:731-3. Between 1500 and 1600 BC, Egyptian hieroglyphics provide incantations for curing infertility, rheumatic pains and insect bites with the use of music. At the end of the 19th century, dentists used music to decrease pain intensity, discomfort, and complaints of anxiety as well as the frequency of nausea by using music. In 1960, these observations were confirmed by Gardner [2]Gardner WJ, Licklider JC, Weisz AZ., “Suppression of pain by sound”, Science, 1960; 132:32-3. who reportedly reduced pain in 90% of 5000 patients, by providing recorded music experiences for patients to utilize during dental surgery. Since then, these results have been replicated in various types of acute and chronic pain. [3]Cepeda MS, Carr DB, Lau J, Alvarez H., “Music for pain relief”, Cochrane Database Syst Rev 2006; 19: CD004843. Beginning in the early 1990s, the re-introduction of music therapy and music medicine has been established in many medical procedures and particularly in the treatment of pain – attracting interest in the literature. [4]Dileo C., “Effects of music and music therapy on medical patients: a meta-analysis of the research and implications for the future”, J Soc Integr Oncol. 2006 Spring;4(2):67-70. Review; Brandes V, Terris DD, Fischer C, Loerbroks A, Jarczok MN, Ottowitz G, Titscher … Leer más Numerous researchers have sought to identify the main factors of effectiveness of music medicine as well in this particular field of treatment. [5]Roy M, Peretz I, Rainville P., “Emotional valence Contributes to music- induced analgesia”, Pain, 2008; 134:140-7. It is known that music affects the cognitive component, diverting attention from pain, as emphasized by the Gate Control Theory. A recent meta-analysis has highlighted the influence of music on cognitive functions, stating that music is the most effective mediator of emotional processing. This suggests that music that is pleasant for the patient may help to reduce the overall sensation of pain. [6]Roy M, Peretz I, Rainville P., “Emotional valence Contributes to music- induced analgesia”, Pain, 2008; 134:140-7. The impact of music therapy may also be explained by its specific neurophysiological effects, [7]Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; … Leer más including 5 active components:
(1) sensory (against causing stimulation of afferent fibers)
(2) cognitive (often diverting attention by creating images and thoughts away from pain)
(3) affective (mood-altering associated with conditions such as depression or anxiety and thereby reducing tensions and feelings of anxiety)
(4) behavioral (acting on the muscle tone and psychomotor)
(5) and psycho-social also involved in the reduction of chronic pain phenomenon: the music is chosen according to personal preferences of the patient, meeting individual demands. In addition to verbalizing emotions music may further help to release tension and promote communication [8]Verdeau-Pailles J. Straws, “Aspects of psychotherapies. Music therapy and Its specificity.” Encephale 1991; 17:43-9. (Figure 1).
The aim of the present report is to summarize the efforts undertaken to evaluate a new technique of music therapy in the treatment of pain: the U-sequence composing technique.
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Figure 1. Main modes of psychophysiological measures of music therapy
Methods and Results
Standardization of technical therapeutic music interventions to assist in the management of pain may serve to be useful as a treatment strategy. Numerous factors, stemming from scientific recommendations, enable the use of music therapy, which is an optimal intervention. The main characteristic of a successful music medicine application, however, seems to be related to the selection of a musical performance based on the patients’ preference and cultural background with respect to the genre of music that is selected. [9]Good M, Picot BL, Salem SG, Chin CC, Picot SF, Lane D., “Cultural differences in music Chosen for pain relief”, J holist Nurs 2000; 18:245- 60. Instrumental music sessions between 20 to 60 minutes, consisting primarily of harmonic variations (i.e, rhythmic and melodic) are recommended. Patients should place themselves in a relaxed position (i.e., lying or recumbent) and use closed headphones combined with an eye mask. [10]White JM. (2000), “State of the science of music interventions. Critical care and perioperative practice.”, Crit Care Nurs Clin North Am; 12 : 219-25. While music interventional sessions are often applied by a large variety of health care professionals – particularly when recorded music is recommended, it is often nurses that apply the music recordings-. [11]Marwick C., Music therapists chime in with data on medical results, JAMA 2000, 283:731-3;Good M, Picot BL, Salem SG, Chin CC, Picot SF, Lane D., “Cultural differences in music Chosen for pain relief”, J holist Nurs 2000; 18:245- 60;White JM. (2000), “State of the … Leer más The consultation with or supervision by a professional trained music therapist is strongly encouraged.Based on these considerations a standardized receptive music therapeutic relaxation technique has been developed at the University Hospital of Montpellier: the U-sequence composing technique. The musical sequence, varies from 20 to 60 minutes, is divided into several stages that progressively enable the patient to relax according to the technique of a mounting U [12]Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; … Leer más (Figure 2). The technique is based on the reduction of musical rhythm, orchestral, frequency and volume (downward phase of the “U”), with increasing relaxation. A maximum relaxation phase (lower part of the “U”) is followed by a re-energizing phase (ascending limb of the “U”). All musical sequences have specifically been designed by Music Care©.
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Figure 2. Technical standardized music therapy. The”U” sequence
The proposed method and the objectives are explained to clients during a first assessment interview. In order to gain a better understanding of the patient’s musical preferences a questionnaire is used to assess the clients favorite genres of music and previous experience with music (i.e. active music making). During the course of the study in hospitals, health care professionals are rigorously trained and have tablets with a variety of therapeutic music sessions (U-sequence) available through the MUSIC CARE© app, to meet the patients preferences and needs. This choice of musical styles to meet the demand of patients using a simplified questionnaire allows individual customization and further promotes a therapeutic relationship (Figure 3).
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Figure 3. Acute pain; Mean values of pain levels for each group of patients (intubated and non-intubated) obtained before (pre) and after (post-test) each study session [13]Brandes V, Terris DD, Fischer C, Loerbroks A, Jarczok MN, Ottowitz G, Titscher G, Fischer JE, Thayer JF., “Receptive music therapy for the treatment of depression: a proof-of-concept study and prospective controlled clinical trial of efficacy.” Psychother … Leer más
Evaluation of the effectiveness of music therapy on acute and chronic pain
This technique revealed good effectiveness in the treatment of chronic pain [14]Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; … Leer más and acute pain. [15]Jaber S, Bahloul H, Guétin S, G Chanques, Sebbane million Eledjam JJ., “Effects of music therapy in intensive care units without sedation in weaning patients versus non-ventilated patients”, Ann Fr Anesth Reanim, 2007; 26:30-8. In acute pain, the main results of these randomized controlled trials report outcomes on physiological variables, such as heart rate, breathing, blood pressures (systolic, diastolic and mean) and bispectral index (BIS). The results show that the therapeutic music programs have helped to promote a state of relaxation and reduced pain intensity on an average of 50%, assessed by Visual Analogue Scales (VAS). [16]Jaber S, Bahloul H, Guétin S, G Chanques, Sebbane million Eledjam JJ., “Effects of music therapy in intensive care units without sedation in weaning patients versus non-ventilated patients”, Ann Fr Anesth Reanim, 2007; 26:30-8. In the context of chronic pain, the results of a controlled study, showed promising results on reducing the intensity of increasing number of sessions. And 76% of patients reported improvement in the first session of music therapy, 73% in the second, 88% improved in the third and 94% in the fourth session. [17]Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; … Leer más
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Figure. 4. Chronic Pain: Percentage of patients who consume antidepressants and anxiolytics D0 and D60; Controlled, randomized, single-blind (n = 87). The music therapy group participate in daily music therapy in addition to standard treatment between D0 and D60. The control group received the standard treatment between D0 and D60.
The effectiveness of this music technique on anxiety and depression was also demonstrated in a randomized controlled trial in people with Alzheimer’s disease [19]. In a more general way, it would be interesting to assess the impact of the program on pain in non-communicating elderly. The pain is very difficult to assess in these patients, as there is still inconclusive evidence on the onset of behavioral changes associated with Alzheimer’s disease and those related to poorly managed pain due to non-verbalization of the pain by the patient. According to the literature, fewer analgesics are prescribed to elderly people with dementia. Thus, for these people, this program may support the management of pain and may help to indirectly reduce psycho-behavioral disorders such as agitation, wandering, anxiety and depression.
Discussion
Research has demonstrated the usefulness of music medicine in management of pain [20, 21]. In line with existing evidence, our results confirm the beneficial effects of therapeutic music programs on pain. They also confirm the effectiveness of music programming on sensory cognitive, emotional, behavioral and social pain components. Using the U-shape technique has several advantages:
- This music therapeutic technique is adaptable to patients with different cultural background, beyond language borders. It can also be used in non-communicating people (loss of meaning of words and verbal language) with dementia of the Alzheimer type, as musical abilities are generally preserved.
- It can be performed individually. This is essential because it is difficult to get some patients’ agreement to group sessions conducted in hospitals in context of other relaxation techniques.
- Finally, the music therapeutic sessions do not require the caregiver’s presence throughout the procedure but only at the beginning (installation of the patient) and end of the session (verbalization of feelings), allowing a better time management for the nursing staff.
Our results can also be compared to results obtained by evaluations of other relaxation techniques. Many studies show the impact of relaxation therapy [22] or hypnosis [23] in the context of pain treatment. Modes of action of the technique of receptive music therapy we used can be compared to those of the techniques mentioned earlier.
The aim is to modify the state of consciousness using positive suggestions. Here, verbal suggestions are replaced by a musical induction – the archaic model of language. This musical induction tailored to the patient’s emotional and affective preferences, will gradually bring the patient into a hypnotic and relaxation state by variations in musical elements such as rhythm, frequency, and volume.
Individual receptive music therapy is also an effective means of enabling patients at the end of the session to express their emotions felt during the listening part. Music processing acts here as a catalyst, allowing patients to verbally express their pain. Music used therapeutically therefore is an effective treatment aiming toward optimal psychophysiological changes in the pain patients may experience.
The literature shows that the impact of therapy is variable depending on the study. [18]Cepeda MS, Carr DB, Lau J, Alvarez H., “Music for pain relief”, Cochrane Database Syst Rev 2006; 19: CD004843. It is important to note that most of these studies don’t take the patients’ musical preferences into consideration. It has been repeatedly demonstrated that the selection of a particular music varies between patients but also between different intervention sessions of one patient.
These days, it is indispensable to provide several musical styles in order to best match the emotional and affective component of the patient. [19]Cepeda MS, Carr DB, Lau J, Alvarez H., “Music for pain relief”, Cochrane Database Syst Rev 2006; 19: CD004843; Roy M, Peretz I, Rainville P., “Emotional valence Contributes to music- induced analgesia”, Pain, 2008; 134:140-7; Guétin S, Kong A Siu D, E Guldner, … Leer más This is undoubtedly one of the main factors predicting the success of a music therapy session.
While the effect of music therapy in the treatment of pain has been demonstrated, this research also allowed validating the specific parameters of success, to evaluate the long term effectiveness and to develop a music database to meet the patients individual preferences. Taking into account the ease of implementation and low cost of use, combined with a lack of side effects.
Conclusion
MUSIC CARE© app using U-sequence technique changes the painful experiences through sensory, cognitive, emotional, behavioral and social effects, integrating perfectly into multidisciplinary care. The technology of the app allows an extension of the use of therapeutic music for all patients. Further studies are currently in preparation, thus contributing to the reconnaissance of music therapy specific intervention programing and music medicine in the treatment of pain. Currently, many health centers, public hospitals and clinics are already using this technique. These centers participate in multicenter studies, leading us gradually to a better understanding of the effect of music on the human body and especially the pain.
Referencias
↑1 | Marwick C., Music therapists chime in with data on medical results, JAMA 2000, 283:731-3. |
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↑2 | Gardner WJ, Licklider JC, Weisz AZ., “Suppression of pain by sound”, Science, 1960; 132:32-3. |
↑3, ↑18 | Cepeda MS, Carr DB, Lau J, Alvarez H., “Music for pain relief”, Cochrane Database Syst Rev 2006; 19: CD004843. |
↑4 | Dileo C., “Effects of music and music therapy on medical patients: a meta-analysis of the research and implications for the future”, J Soc Integr Oncol. 2006 Spring;4(2):67-70. Review; Brandes V, Terris DD, Fischer C, Loerbroks A, Jarczok MN, Ottowitz G, Titscher G, Fischer JE, Thayer JF., “Receptive music therapy for the treatment of depression: a proof-of-concept study and prospective controlled clinical trial of efficacy.” Psychother Psychosom. 2010;79(5):321-2. |
↑5, ↑6 | Roy M, Peretz I, Rainville P., “Emotional valence Contributes to music- induced analgesia”, Pain, 2008; 134:140-7. |
↑7, ↑14, ↑17 | Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; 48:217-24. |
↑8 | Verdeau-Pailles J. Straws, “Aspects of psychotherapies. Music therapy and Its specificity.” Encephale 1991; 17:43-9. |
↑9 | Good M, Picot BL, Salem SG, Chin CC, Picot SF, Lane D., “Cultural differences in music Chosen for pain relief”, J holist Nurs 2000; 18:245- 60. |
↑10 | White JM. (2000), “State of the science of music interventions. Critical care and perioperative practice.”, Crit Care Nurs Clin North Am; 12 : 219-25. |
↑11 | Marwick C., Music therapists chime in with data on medical results, JAMA 2000, 283:731-3;Good M, Picot BL, Salem SG, Chin CC, Picot SF, Lane D., “Cultural differences in music Chosen for pain relief”, J holist Nurs 2000; 18:245- 60;White JM. (2000), “State of the science of music interventions. Critical care and perioperative practice.”, Crit Care Nurs Clin North Am; 12 : 219-25. |
↑12 | Guétin S, Coudeyre E, Picot MC, Ginies P, Graber-Duvernay B, Ratsimba D, Vanbiervliet W, Blayac JP, Hérisson C., “Effect of music therapy Among hospitalized patients with chronic low back pain: a controlled, randomized trial”, Ann Med Readapt Phys, 2005; 48:217-24; Guétin S, Portet F, Picot MC, Pommie C, Messaoudi M, Djabelkir L, Olsen AL, Cano MM Lecourt E, Touchon J., “Effect of music therapy on anxiety and depression in patients with Alzheimer’s dementia types: randomized, controlled study.”, Dement Geriatr Cogn Disord, 2009; 28:36-46; Jaber S, Bahloul H, Guétin S, G Chanques, Sebbane million Eledjam JJ., “Effects of music therapy in intensive care units without sedation in weaning patients versus non-ventilated patients”, Ann Fr Anesth Reanim, 2007; 26:30-8. |
↑13 | Brandes V, Terris DD, Fischer C, Loerbroks A, Jarczok MN, Ottowitz G, Titscher G, Fischer JE, Thayer JF., “Receptive music therapy for the treatment of depression: a proof-of-concept study and prospective controlled clinical trial of efficacy.” Psychother Psychosom. 2010;79(5):321-2. |
↑15, ↑16 | Jaber S, Bahloul H, Guétin S, G Chanques, Sebbane million Eledjam JJ., “Effects of music therapy in intensive care units without sedation in weaning patients versus non-ventilated patients”, Ann Fr Anesth Reanim, 2007; 26:30-8. |
↑19 | Cepeda MS, Carr DB, Lau J, Alvarez H., “Music for pain relief”, Cochrane Database Syst Rev 2006; 19: CD004843; Roy M, Peretz I, Rainville P., “Emotional valence Contributes to music- induced analgesia”, Pain, 2008; 134:140-7; Guétin S, Kong A Siu D, E Guldner, Gosp AM, Pommie C, Picot MC, Ostin K Giniès P., “Importance of music therapy in the management of chronic pain patients treated in Evaluation Center and Pain Treatment: Study randomized controlled trial of 87 patients”, Clinical Journal of Pain, 2012, 10, 68. |